FULL LENGTH PLAYS
IN THE AMAZON WAREHOUSE PARKING LOT
100 minutes / a flexible cast of 7 female, nonbinary, and trans actors
Jen and her itinerant friends travel together between warehouses, working night shifts and checking the address labels of the packages searching for the people they’ve lost. Then a stranger shows up looking for Jen, changing both her past and her future. A play about queer aging, capitalism, campfires, and falling in love as the world ends.
Winner of the 2023 Susan Smith Blackburn Prize
Playwrights Horizons, workshops, 2022
Yaddo Fellowship, 2022
MacDowell Fellowship, 2022
Hedgebrook, residency, 2022
Commission, Playwrights Horizons & The Toulmin Foundation, 2020
EVERYTHING THAT NEVER HAPPENED
80 minutes / 1W, 2M, 1 AFAB nonbinary or trans actor
Jessica and Lorenzo are in love, but in order to be together they must plan an escape from her father's house, the Venetian ghetto, and her entire culture. Taking place in the gaps between The Merchant of Venice and the realities of Jewish history, Everything That Never Happened is a play about a father, a daughter, disguise, assimilation, pomegranates, and everything Shakespeare left out.
Staged reading, The Folger Shakespeare Library, 2024
Production, Oregon Shakespeare Festival, 2020 (covid cancellation)
Marin Theatre Company, 2020 (covid cancellation)
World premiere, Boston Court Pasadena, 2018
Writing Fellowship, The Playwrights Realm, 2017
First runner-up, Leah Ryan FEWW Emerging Playwright Prize, 2017
Production, Carlotta Festival of New Plays, Yale School of Drama, 2017
THE GOOD GUYS
120 minutes / 2W, 5M
When Aarón joins a Connecticut group of Civil War reenactors, he is horrified to discover that visiting troops get to play as Union soldiers while he is forced to fight in Confederate uniform. When the unit’s leadership is usurped and gender, racial, and sexual identities come to the forefront, the group must find a way to make it to Gettysburg where they will finally get to fight as the North. A play about tents, spooning, queer romance, and the lengths we go to to think of ourselves as the good guys.
Staged reading, Second Stage, 2024
Reading, Playground & The Juneteenth Theatre Justice Project, 2021
Reading, The Playwrights Realm, 2021
Reading, Oregon Shakespeare Festival, 2019
Finalist, Playwrights’ Week, The Lark, 2019
Reading, Play by Play, 2019
MacDowell Fellowship, 2018
Yaddo Fellowship, 2018
SPACE on Ryder Farm Residency, 2017
Wildacres Artist in Residence, 2017
FIGHT CALL
80 minutes / 4W (or female-adjacent) 2M
How many ingenues can Emma play before she just completely loses it? Come see a story told through all of Shakespeare’s onstage female death scenes.
Staged reading, Breaking the Binary Festival, 2023
Finalist, Eugene O’Neill Theater Center, 2023
Workshop and public reading, Mercury IV, Artists Repertory Theatre, 2022
Residency, Fresh Ground Pepper, 2021
Workshop, Mercury III, Artists Repertory Theatre, 2021
Reading, Yale School of Drama, 2016
TINY
75 minutes / 2W, 2M
Rachel and Greg have just built a tiny house and now they need somewhere to park it. When Hannah and Neil offer their yard, the two couples become intertwined in ways they never expected. A play about the tiny house movement, surrogacy, pregnancy loss, the Northwest Passage, and the stories we tell and the stories we don’t.
Workshop, Seattle Repertory Theatre, 2018
Reading, Play By Play, 2016
Finalist, New Harmony Project, 2016
Workshop, Seven Devils Playwrights Conference, 2016
Reading, Great Plains Theatre Conference, 2016
Workshop production, Yale School of Drama, 2015
SHORT PLAYS
HOW TO WRITE A PLAY
10 minutes / 1 me
A play for Geva Theatre Center’s micro-commission project on Rochester’s women changemakers about writing a micro-commission project on Rochester’s women changemakers.
Commission, Geva Theatre Center, 2021
HERACLES
10 minutes / 3 humans
Heracles has just murdered his wife and children. What should he do now? Suffer? Mourn? End his own life? Buy a smaller refrigerator? This short play uses found text from Heracles and from a refrigerator sales website to turn canonical misogyny into an unsuspecting comedy.
NOW
1 minute / 1W
Like a love letter to SEPTA. Except the opposite.
Philadelphia One-Minute Play Festival, 2013